The winter setting is effectively used in all its cold bleakness, and the two leads engage us immediately. There are some sequences that are as visually impressive as anything in the past ten years, including a finale shot from under the water of a swimming pool that rivals early Spielberg in the perfection of its execution. Director Tomas Alfredson is clearly someone to watch, and this poetic and scary film is worth seeking out before the American remake descends.
May 4, 2009
The winter setting is effectively used in all its cold bleakness, and the two leads engage us immediately. There are some sequences that are as visually impressive as anything in the past ten years, including a finale shot from under the water of a swimming pool that rivals early Spielberg in the perfection of its execution. Director Tomas Alfredson is clearly someone to watch, and this poetic and scary film is worth seeking out before the American remake descends.
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